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And of course, living in Bombay, you are in the middle of that industry. So to see that world deconstructed is very intriguing. My favorite image is of the item girl. This use of women in Bollywood is so absurd. For all the puritanical discussion and enforcement when it comes to couples kissing in public or meeting in hotels, there is this constant relattionships being shown on the screen. But this film siimple permeates our culture. Did you recognise this? Was it a key motivation for the project? This project just started last year. There is a long way to go.

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I thought I could go to the film studio and find something like that. I knew Bengali cinema and its violence so I knew where to go. After going there and seeing those characters, those people, those lights, those colours, those sets, especially those cheap interiors, it gave me a different perspective on those places. And on that very first day, I thought, this is something I want to do. I would really like to make a book about this one day. After five years or maybe more. I want to create my own narrative with it, which will also reflect what people from our part of the world, Indians and Bengalis, feel.

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Some of his pieces are so emotional. I always feel, what must he have gone through to have felt this emotion, and then to write it? And I want to be in those kinds of spaces. So it is a desire, and that desire is reflected in my work. Even though it might not be the reality. And this is there in the River as well. The river beyond the veil of life. If you go early in the morning by the Podda [Bengali name for the Padma], the river and the wind has a very nice fragrance. You can smell the wind. It is so beautiful. I wanted to make pictures with that same calmness, where I feel like I can breathe. I need to breathe. I need to be in huge open spaces, I love open spaces, not small space, huge space.

And the river gives me that so I keep going back, to different districts. At one point, I came to the place where you see the story is based. The river goes a long way. It started in Novemberwhich was the first time I went there. Before I began the series, I was also travelling by the river and taking pictures. I was traveling for four to five days, coming back to the city again, and then going back. During my fourth trip, I came there. And then it started on 2 November I was at the end of my time in Pathshala and had started working seriously with photography. And how does your mother feel about all of this? At first, she was very confused. Mother… she is full of love. And especially mine, she is a bit crazy and obsessive about me.

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I ended up telling my man and he took him aside, talked to him and he went and apologized to my son. All of this broke my heart! It broke my heart to see my son so sad about no santa and the other horrible things he said to my boy. If this is what you want, then continue and let his behavior continue. But until then…I hate his youngest son. He is such a horrible human being. I have seen that my man has pretty much given up besides the fact my man wears his guilt on his sleeve. He has guilt for not being his real father. And guilt that he never told him.

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